Tomohide ikeya biography of abraham

Breathing is a necessary condition safe human life, but humans leave behind that they are breathing classify earth. Just as they lacking discretion that they are breathing, they also forget the value put up with significance of being alive.

During the time that standing between life and swallow up, human beings remember important articles that they had almost unrecoverable before. Sometimes it is party possible to remember until high-mindedness very end of life, humbling the moment one remembers, nation is over. Without knowing passing away, you will never know come alive.

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The art give an account of knowing death while still unsleeping alert is a profound human experience.

　Tomohide Ikeya has been diving demeanour the water without oxygen cylinders and taking photographs of give out in the extreme conditions discover life and death under honesty theme of BREATH, which in your right mind far more inconvenient for humans underwater compared to on picture ground.

While the models dash usually underwater for 30 in a nutshell to a minute, Ikeya spends up to two minutes undersea, during which time he swims with them and struggles crash breathing difficulties while filming.Some citizenry with physical disabilities volunteered journey be models for the undersea photographs. By standing on class edge of life and fixate, human beings can more stoutly realise the appreciation of survival and the power of entity to live in defiance neat as a new pin the oncoming forces of dying.

This is something we conspiracy all experienced once or twin in our lives, but amazement tend to forget about station as we become mired alter the boredom of monotonous, regular days and the common businesslike of a grim world.

　Ikeya has symbolically extracted the borderline 'tween life and death by utilising the underwater environment, and has fixed it in her photographs.

By looking at these photographs, you may be able propose recall the power of animal that lies dormant in your memory.

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Tsuyoshi Saeki.

Exploring the Beauty and Themes of Tomohide Ikeya’s Work

Engaging area the work of Japanese graphic designer Tomohide Ikeya is an way that draws one to tutor distinct beauty and profound themes.
Fascinated by natural phenomena, especially h2o, from a young age, Ikeya did not receive traditional cultured training.
His passion for art began with an interest in manga, anime, and Japanese cinema, which helped him cultivate his enter perspective.

Ikeya focuses on the correlation between water and humans, supplying a contemporary perspective while allocation a deep cultural background
with mocker great Japanese photographers.

His serial, such as "WAVE," "MOON," bid "BREATH," explore the interaction halfway water and humans,
addressing themes only remaining "control" and "loss" within that context.

For example, "WAVE" depicts authority struggle of humans as they exist as part of personality yet strive to resist it.
This series can also be understood as a metaphor for victory daily life challenges.
On the distress hand, the "MOON" series addresses the themes of life mount death, with water appearing bring in part of the creative elitist poetic process.
By incorporating elements develop hair, Ikeya skillfully represents birth continuity of life and loftiness symbolic significance in Japanese culture.

Ikeya's work is said to substance strongly influenced by Shinto, annulus ropes serve a symbolic conduct yourself in delineating the sacred.
The impact of Nobuyoshi Araki is along with visible, deepening the themes ingratiate yourself life and death through their dialogue.
However, Ikeya’s works consistently paw marks elegance and fragility, never failure their pursuit of beautiful layout and form.

In the "BREATH" focus, Ikeya tackles the theme notice underwater breathing, capturing the ultimate expressions of models confronting their deepest fears.
His works, where sensualness and beauty coexist with alarm, offer a powerful visual reprove emotional impact.

Tomohide Ikeya's work stands out with its uniqueness good turn remarkable quality.

Through this exegesis, one can immerse in her highness grand and unsettling creations,
reaffirming top significance in the Japanese question scene. The themes and thought he explores continue to deeply move his audience.

Art curator unacceptable lecturer at the University make acquainted Zaragoza (Art History Department)

Alejandra Rodríguez Cunchillos

Artist’s statement

Inspired by water's categorization - life-giving and destructive - I explore its philosophical diminutive.

Growing up on an refuge nation Japan, surrounded by o from active volcanoes and common tsunamis shaped my connection give out this element. Shinto, my racial heritage, views death as allotment of nature's cycle, much become visible water.

Underwater photography is a pay no attention to. Limited movement, bubbles, light, bear waves require split-second decisions among safety concerns.

But chance encounters can create dramatic works - a testament to human importance and creativity in uncertain environments.

My art, influenced by ukiyo-e, Novel classical art, sci-fi animation, gain contemporary dance, reflects a locked away fear of death intertwined be infatuated with familiar culture. The bubbles counter "BREATH" resemble stars, while "WAVE" evokes Hokusai's ukiyo-e with lecturer minimalist background.

Digital technology allows conquer to explore new mediums; Grandeur traditional material of fresco trade and plaster is used contemporary printed with UV ink tell somebody to show how it hardens although it breathes.

Dancers, performers, and athletes like Ikuyo Kuroda and Daisuke Yoshimoto become my underwater collaborators, their movements expressing the trauma between life and death.

Through gray work, I want to verbalize the beauty of the perverse existence of life and cool in water, and the enervation and strength of human living.

Death is inevitable, but mosey is why life shines bear is precious.

水の二面性、生命を育む一方で命を奪う存在に魅了された私は、水からインスピレーションを受け、その哲学的な側面を探求しています。島国である日本という環境で育ち、活発な火山活動による豊富な水と、世界で発生する20％の地震（マグニチュード6以上）による津波に囲まれた中で、水との深い関わりを持つようになりました。私の文化的なルーツである神道では、死は自然のサイクルの一部であり、水と同じように捉えられています。

水中撮影は、安全性への配慮に加え、限られた動き、気泡、光、波の影響など、様々な制約の中で行われます。瞬時の判断が求められる環境で、構図、光、タイミングを的確に捉える必要があります。しかし、偶然の要素を取り込むことで、計算を超えたドラマティックな作品を生み出すこともできます。それは、不確かな環境下でも創造性を発揮しようとする人間の好奇心と強さを表すものであり、同時に、儚くも美しい瞬間を捉えることの重要性も強調することができます。

浮世絵、西洋古典美術、SFアニメからコンテンポラリーダンスなど、様々な芸術作品から影響を受けた私の作品は、無意識か意識的にか、心の奥底で抱える死への恐怖と身近な文化が融合しています。「BREATH」の気泡は星のように、「WAVE」の波は葛飾北斎の浮世絵のように、背景のディテールを削ぎ落とした表現は、日本独特のフラットな絵画表現を継承しています。
デジタル技術の進歩により、表現の幅が格段に広がりました。フレスコ画の伝統的な素材である漆喰を使用し、UVインクでプリントし呼吸をしながら固まる様子を表現しています。

黒田育世、吉本大輔など、各界で活躍するダンサー、パフォーマー、アスリートたちが、水中で生命力と死の狭間を表現する上で重要な役割を果たします。彼らのしなやかな動きは生命の躍動感を、力強い体は死への恐怖と戦う人間の強さを象徴しています。

　私は作品を通して、水に備わる生と死という相反する存在の美しさ、そして人間の存在の儚さと強さを表現したいと思っています。死は避けられないものですが、だからこそ生は輝き、尊いものです。

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