| Year | Op. | M.S. catalog[1] | Title | Key | Instruments | Notes |
|---|
| 1795 c. | 1 | Carmagnola con variazioni (Carmagnola variations) | A | Violin / Guitar | 14 Changes on the French Hymn "Carmagnole" |
| 1803 | 61 | 2 | Sonata concertata | A | Violin / Guitar |
| 1803/04 | 39 | 3 | Grande Sonata | A | Violin / Guitar |
| 1804 | 4 | "Divertimenti Carnevaleschi", 21 pieces | Strings | for 2 violins and cello; (aka.
Divertimenti Carnascialeschi); sections: Minuetto, Alessandrina 1-6, Perigordino 1-2, Valzer 1-4, Scozzese, Inglese 1-6, Variazioni |
| 1805/09 | 5 | Sonata "Napoleone" | Eb | Violin / Orch. | Sonata with flukiness for the fourth string |
| 1805/09 | 6 | Duo Merveille (Sonata for solo violin) | C | Violin | (aka.
Duet for solo violin, Merveille de Paganini) |
| 1805/09 | 7 | 3 "Lucca" Sonatas (Opera III) | Violin / Guitar |
| 1805/09 | 8 | "Entrata d'Adone nella reggia di Venere" | Violin Compact disc Guitar | Entrance of Adonis in description Royal Palace of Venus |
| 1805/09 | 9 | 6 "Lucca" Sonatas (Opera I)[2] | Violin Information Guitar |
| 1805/09 | 10 | 6 "Lucca" Sonatas (Opera II)[2] | Violin / Guitar |
| 1805/09 | 11 | 6 "Lucca" Sonatas (Opera IV)[2] | Violin / Guitar |
| 1805/09 | 12 | 6 "Lucca" Sonatas (Opera V)[2] | Violin / Guitar |
| 1805/09 | 13 | 6 "Lucca" Sonatas (Opera VI)[2] | Violin / Guitar |
| 1805/06 | 14 | Serenata per Rovene | e | Mandolin / Guitar | also disclose violin and guitar[3] |
| 1805/06 | 15 | 4 Notturni straight Quartetto | Violin / Piano | also for rope quartet |
| 1805/06 | 16 | Serenata | g | Mandolin / Guitar |
| 1808 | 69[2] | 17 | Sonata (Serenata) | C | Guitar / Strings | guitar, viola and shell-game |
| 1810 (before) | 18 | Polacca con variazioni | A | Violin Dossier Orch. | Polacca with variations |
| 1813 | 8 | 19 | Le Streghe (aka.
Witches Dance) | D | Violin / Orch. | Variations on a theme from integrity ballet of Salvatore ViganòIl noce di Benevento [ru], music by Franz Xaver Süssmayr. First performed uncertain a solo concert in Numbing Scala on October 29, 1813. The audience was so played that they requested a repeat.[4]Jean Schneitzhoeffer was so inspired because of Paganini's performance that he homespun the scene of Old Madge's witchcraft which opens Act II of his ballet La Sylphide (1832) on Le Streghe.[5] |
| 1815 c. | 20 | 3 String Quartets | d, Eb, a | String Quartet | 2 violins, viola and cello |
| 1816 | 6 | 21 | Violin Concerto No.1 | Eb | Violin / Orch. | Usually contrary to D[6] |
| 1819 | 12 | 22 | "Non più mesta accanto al fuoco" (Introduzione e variazioni su) | Eb | Violin / Orch. | Introduction and Change on a Theme from La Cenerentola, Rossini |
| 1818/19 | 24[2] | 23 | Sonata "a Preghiera" (aka.
Moses Fantasy) | c/C | Violin / Orch. | Variations fail to distinguish the fourth string on illustriousness theme "Dal tuo stellato soglio" from Mosè in Egitto, Rossini |
| 1819 | 24 | Pot-Pourri | [7] Violin / Orch. | 1831[6] |
| 1818 (before) | 1 | 25 | 24 Capricci | Violin | in the form of études, fixated Alli Artisti |
| 1805/09 | 2 | 26 | 6 Sonatas (Sonatine) | A, Catch-phrase, d, A, D, a | Violin Cd Guitar | dedicated "Al Signor Agostino Dellepiane": No.1 (I.
Menuetto. Adagio; II. Polonese. Quasi Allegro) - No.2 (I. Larghetto espressivo; II. Allegro spiritoso) - No.3 (I. Adagio maestoso; II. Andantino. Galantemente) - No.4 (I. "La Sinagoga". Andante Caleando; II. Andantino con brio) - No.5 (I. Andante moderato. Impostatamente; II. Allegro spiritoso) - No.6 (I. Largo. Con precisione; II.
Tempo di Valtz). |
| 1805/09 | 3 | 27 | 6 Sonatas (Sonatine) | A, G, D, unblended, A, e | Violin / Guitar | dedicated "Alla ragazza Eleonora (Quilici)": No.1 (I. Larghetto; II. Presto variato) - No.2 (I. Adagio; II. Andantino scherzoso) - No.3 (I. Andante sostenuto; II.
Rondò. Molto allegro) - No.4. (I. Andante. Largo; II. Allegretto motteggiando) - No.5 (I. Adagio amoroso; II. Allegretto energicamente. Minore) - No.6 (I. Andante innocentemente; II. Allegro vivo e spiritoso). |
| 1806/16 | 4/1 | 28 | Guitar Quartet No.1 | a | Guitar / Strings | for guitar, violin, bogus and cello / (I.
Introduzione. Andante marcato - Vivace: II. Minuetto alla marsigliese. Andantino; Leash. Tema. Adagetto cantabile - Var.I-III) / 1813–15c,[3] 1806–16[6] |
| 1806/16 | 4/2 | 29 | Guitar Quartet No.2 | C | Guitar / Strings | for guitar, violin, tinker with and cello / (I.
Moderato; II. Minuetto. Andante; III. Larghetto; IV. Rondò. Allegretto) / 1813–15c,[3] 1806–16[6] |
| 1806/16 | 4/3 | 30 | Guitar Quartet No.3 | A | Guitar / Strings | for guitar, violin, viola and tinker with / (I. Pour-pourri. Allegro; II. Minuetto alla spagnola.
Andantino; Triad. Romanza. Adagio non tanto; IV. Rondò. Allegretto) / 1813–15c,[3] 1806–16[6] |
| 1813/15 | 5/1 | 31 | Guitar Quartet No.4 | D | Guitar / Strings | for bass, violin, viola and cello Recording dedicated "Alle amatrici" (I. Presto; II.
Canone a tre. Andante sottovoce e staccato - Trio; III. Tema. Cantabile, quasi larghetto - Var.I-III; IV. Finale. Prestissimo) |
| 1813/15 | 5/2 | 32 | Guitar Quartet No.5 | C | Guitar / Strings | for guitar, violin, viola and violin / dedicated "Alle amatrici" (I. Allegro; II. Minuetto.
Allegretto; Threesome. Cantabile. Larghetto; IV. Polacca. Quasi presto) |
| 1813/15 | 5/3 | 33 | Guitar Quartet No.6 | d | Guitar Memorial Strings | for guitar, violin, viola be proof against cello / dedicated "Alle amatrici" (I. Allegro; II. Canone spiffy tidy up tre. Allegro moderato; III.
Tema. Cantabile, quasi larghetto - Var.I-III; IV. Polacchetta. Allegro con brio) |
| 1817/18 | 34 | Guitar Quartet No.7 | E | Guitar / Strings | for guitar, violin, viola and monkey business (I. Allegro moderato; II. Minuetto. Allegretto; III. Adagio cantabile. Sostenuto con passione; IV.
Rondò. Vivace) |
| 1817/18 | 35 | Guitar Quartet No.8 | A | Guitar / Strings | for guitar, violin, viola and fidget with (I. Allegro; II. Minuetto. Andantino; III. Cantabile. Molto adagio; IV. Rondò. Allegretto) |
| 1818 | 36 | Guitar Quartet No.9 | D | Guitar / Strings | for guitar, violin, finagle and cello (I.
Allegro moderato; II. Minuetto alla Valtz. Allegretto mosso; III. Adagio. Sostenuto, appassionatamente; IV. Finale. Allegro vivace) |
| 1818 | 37 | Guitar Quartet No.10 | A | Guitar / Strings | for bass, violin, viola and cello (I. Allegro; II. Minuetto Scherzo. Allegretto mosso; III. Adagio cantabile; IV.
Rondò. Andantino con brio) |
| 1819 | 38 | Guitar Quartet No.11 | B | Guitar / Strings | for bass, violin, viola and cello (I. Allegretto moderato; II. Minuetto. Allegretto; III. Larghetto, con passione; IV. Polacca. Andantino) |
| 1819 | 39 | Guitar Quartet No.12 | a | Guitar / Strings | for guitar, violin, imagined and cello (I.Allegro giusto; II.
Adagio tenuto, con precisione; Cardinal. Minuetto. Allegretto mosso) |
| 1819 | 40 | Guitar Foursome No.13 | F | Guitar / Strings | for guitar, shell-game, viola and cello (I. Allegro con brio; II. Minuetto. Allegretto; III. Larghetto, tenuto con anima; IV. Finale. Prestissimo) |
| 1819 | 41 | Guitar Quadruplet No.14 | A | Guitar / Strings | for guitar, bogus, viola and cello (I.
Allegro maestoso; II. Minuetto Scherzo. Allegretto; III. Largo con sentimento; IV. Finale. Allegro vivace) |
| 1820 | 42 | Guitar Foursome No.15 | a | Guitar / Strings | for guitar, viola and cello (I. Maestoso; II. Minuetto a canone. Andantino; III. Recitativo.
Andante sostenuto, prisoner sentimento; IV. Adagio cantabile; Perfectly. Rondò. Allegretto) |
| 1820 c. | 43 | 43 Ghiribizzi (phantasies) | Guitar | No.16 "Nel cor più affair mi sento" (Violin solo difference, 1821)[3] / No. 11 Var II. from Paganini's own "Moses Fantasy" / No.17 "Le Streghe" / No.20 "Là ci darem la mano" (Don Giovanni) |
| 1827 | 38 | 44 | Nel cor più non mi sento | G | Violin | Introduction and variations on "Nel cor più non mi sento" let alone La Molinara (1788) by Giovanni Paisiello |
| 1823/24 | 19 | 45 | Cantabile e Valtz | E | Violin / Guitar | 1823,[6] 1824c[3] |
| 1824 | 46 | Sonata Militare ("Non più andrai") | [7] Violin / Orch. | Variations for excellence fourth string on the rural community "Non piu andrai" from The Marriage of Figaro, Mozart |
| 1818 c. | 47 | Sonata con variazioni ("Pria ch'io l'impegno") | E | Violin / Orch. | Variations on nobleness theme "Pria ch'io l'impegno" be different L'amor marinaro, Joseph Weigl Make a notation of 1818,[3] 1828[6] |
| 1826 | 7 | 48 | Violin Concerto No.2 | b | Violin Cv Orch. | 3rd movement (Rondo) aka.
La Campanella, Rondo a la clochette |
| 1826 c. | 49 | Adagio[2] | E | Violin / Orch. | Alternative Adagio broadsheet Violin Concerto No.2 [citation needed] |
| 1826 | 50 | Violin Concerto No.3 | E | Violin / Orch. |
| 1828 | 51 | Maestosa Sonata Sentimentale | Violin / Orch. | Variations for influence fourth string on the thesis "Gott erhalte Franz den Kaiser" (Austrian national anthem) by Patriarch Haydn |
| 1828 | 52 | La Tempesta ("Grande Sonata drammatica") | Violin / Orch. | While in Vienna, Violinist commissioned Joseph Panny, fellow player and composer, to write prestige "Tempest" on 25 May 1828 (it was completed on 14 June), supervising himself the article.
It is scored in several sections: a) Prelude. Whirlwind - b) Start of the Tempest - c) Prayer - d) Alarm at Sea - d) Great Storm - e) Accepted Alert - f) Calm (Andantino cantabile) – g) Finale (Theme, 2 Variations and Coda). Phoney and Piano reduction by Daniele Zanettovich - World modern première - video on YouTube |
| 1828 | 53 | E annoy amabile[2] | Vocal / Piano |
| 1828 | 54 | Capriccio | G | Violin | (aka.
Preludio) |
| 1831 c. | 55 | Sonatina e Polacchetta (with variations) | Bb | [7] Violin / Orch. | 1829,[3] 1831[6] |
| 1829 | 9 | 56 | Variations variety "God Save the King" (Heil dir im Siegerkranz) | Violin | Variations on decency English national anthem (aka.
"God Save the Queen") |
| 1829 | 57 | Sonata Varsavia | Violin / Orch. | Variations on a mazurka by J. Elsner / Fictive part only, orchestral parts vanished |
| 1828/29 | 58 | Sonata Appassionata | [7] Violin / Orch. | 1829,[3] 1828[6] |
| 1829 | 10 | 59 | Il Carnevale di Venezia ("The Carnival of Venice") | A | Violin / Orch. | Variations on the neapolitan song "O mamma, mamma cara" |
| 1829/30 | 60 | Violin Concerto No.4 | d | Violin / Orch. |
| 1830 | 61 | Sonata amorosa Galante | [7] Violin / Orch. |
| 1830 | 62 | Quel jour heureux ("Chant patriotique")[2] | Vocal / Misc. | for minstrel, male choir and piano, means a text by George Pursue |
| 1831 | 63 | Rondo | A | Violin / Cello |
| 1831 | 64 | St Patrick's Day | [7] Violin / Orch. | Variation on justness Irish folktune[6] |
| 1831 c. | 65 | Concertino "to Mr.Henry" | E | Misc.
/ Orch. | for horn, bassoon turf orchestra / dedicated to "Mr. Antoine Nicholas Henry" (I. Larghetto; II. Allegro moderato) |
| 1831/32 | 66 | Perpetuela (Sonata a movimento perpetuo) | C | Violin / Orch. | 2 versions (incomplete work): with softly or orchestra (A or Bb)[6] |
| 1828/32 | 67 | Le Couvent du Mont St.Bernard (The Couvent of the Mount Ideal Bernard) | Misc.
/ Orch. | for violin, taciturn chorus and orchestra (I. Andante sonnolento; II. Pendule. Lento; Triad. Minuetto. Moderato; IV. L'aurora. Slowly - Maestoso; V. Rondò show campanello) |
| 1831/33 | 68 | Caprice d'adieu (Farewell Caprice) | Violin | Dedicated "A mon ami M. Liken.
Eliason" / 1831c,[6] 1833c[3] |
| 1833 | 66[2] | 69 | Terzetto | D | Guitar Archives Strings | for guitar, violin and violin |
| 1834 | 70 | Sonata per la Grand Fix (Sonata for large viola) | c | Viola Register Orch. |
| 1835 | 14 | 71a | Variazioni sul Barucabà (Barucaba variations) | Violin | (original version for solo violin) 60 Variations on the Genoese song "Barucabà" (Part I: Tema make A major, with 20 Var.
- Part II: Tema pustule C major, with 20 Var. - Part III: Tema overfull D major, with 20 Var.) |
| 1835 | 14 | 71b | Variazioni sul Barucabà (Barucaba variations) | Violin / Guitar | (2nd version for funny business and guitar) 60 Variations power the Genoese folksong "Barucabà" |
| 1835 | 11 | 72 | Moto Perpetuo (Perpetual Motion) | C | Violin / Guitar | (Allegro vivace a movimento perpetuo) Maxisingle (Violin and Piano version, coldblooded.
by Ferdinand David) |
| 1835 | 11 | 72 | Moto Perpetuo (Perpetual Motion) | C | Violin / Orch. | (Allegro vivace a movimento perpetuo) |
| 1838 c. | 73 | La Primavera, Sonata with variations | A | Violin Transcribe Orch. | violin part only, Arr.
command. Piano M. Kergl (1952)[6] |
| 1838 c. | 74 | Balletto Campestre, Variazioni su un tema comico | Violin / Orch. | Variations on well-organized comic theme |
| 1815 (before) | 75 | Violin Concerto No.6 (aka. No."0") | e | Violin / Orch. | orchestration from the Guitar manuscript fail to see Federico Mompellio and Francesco Fiore, published in 1973 |
| 1819/26 | 33[2] | 76 | Tarantella | a | Violin Album Orch. |
| 1819 | 13 | 77 | I palpiti (Heartbeats) | A | Violin / Orch. | Introduction and Variations on the matter "Di tanti palpiti" from Tancredi, Rossini |
| 1830 | 78 | Violin Concerto No.5 | a | Violin Memorandum Orch. | orchestral parts reconstructed in 1959 by Federico Mompellio |
| 1810/1813 | 79 | Sonata "Maria Luisa" | E[6] | Violin / Orch. | Sonata with variations fail to distinguish the fourth string / Orch.
(part lost) / Guitar (arr. version) / 1810,[3] 1813[6] |
| 80 | Valtz[2] | Violin |
| 81 | Inno patriottico (Patriotic hymn) | A | Violin | Allegro with 6 variations[2] |
| 82 | Tema variato | A | Violin | Theme with 7 variations[6] |
| 83 | Sonata desire solo violin | A | Violin |
| 84 | 37 Sonatas (Sonate) | Guitar |
| 85 | 5 Sonatinas (Sonatine) | Guitar | 6 Sonatine[3] |
| 86 | Allegretto | A | Guitar | from 12 pieces hard up number (c or d1)[3] |
| 87 | Sonata[2] | E | Guitar |
| 88 | Andantino[2] | G | Guitar |
| 89 | Andantino | C | Guitar | from 12 pieces without number (b corruptness f2)[3] |
| 90 | Allegretto | A | Guitar | from 12 pieces without installment (c or d1)[3] |
| 91 | Allegretto[2] | a | Guitar |
| 92 | Valtz | C | Guitar | from 12 refuse without number (e1 or e2)[3] |
| 93 | Rondo[8] | a | Guitar |
| 94 | Rondoncino[2] | E | Guitar |
| 95 | Allegretto[8] | C | Guitar |
| 96 | Valtz | E | Guitar | from 12 pieces without number (f1)[3] |
| 97 | Andantino | C | Guitar | from 12 pieces without number (b or f2)[3] |
| 1800c | 98 | Sinfonia della Lodovisia | D | Guitar |
| 99 | Andantino[2] | G | Guitar |
| 100 | Valtz | C | Guitar | from 12 pieces without number (e1 boss about e2)[3] |
| 101 | Trio[2] | F | Guitar |
| 102 | Andantino[2] | f | Guitar |
| 103 | Marcia[2] | A | Guitar |
| 104 | Sonata "Che va chiamando Dida"[2] | A | Guitar | aka.
"Minuetto e Perigordino" |
| 105 | Marziale[2] | E | Guitar |
| 106 | Minuetto | E | Mandolin |
| 1802 c.[6] | 107 | 3 Duetti (Concertante duets) | Eb, G, A | Strings | violin and cello |
| 108 | Sonata a violino e viola[8] | Strings | violin and viola |
| 1822/24 | 17 | 109 | Cantabile | D | Violin / Piano |
| 110 | 6 Duetti | Violin / Guitar | Nos.3–6 originally published as "Quattro Sonatine"[6] |
| 1807 | 63 | 111 | Duetto amoroso | C | Violin / Guitar | I.
Principio (Beginning): Allegretto; II. Preghiera (Prayer): Andante; III. Acconsentito (Acconsented): Allegretto; IV. Timidezza (Shyness): Allegro; V. Contentezza (Happiness): Andantino; VI. Lite (Argument): Allegro assai; VII. Pace (Peace): Comodo; VIII. Segnale d'amore (Love Sign): Allegretto; IX. Notizia della partenza (News of departure): Allegretto moderato; X.
Distacco (Separation): Allegro molto. |
| 1828 (after) | 64 | 112 A | Centone di sonate, (18) Sonatas - Lettera A (Nos.1–6) | a, D, C, Swell, E, A | Violin / Guitar | 1. No.1 (I. Introduzione. Larghetto; II. Allegro maestoso. Tempo di marcia, Maggiore; III.
Rondoncino. Allegro, Trio. Minore) - 2. No.2 (I. Adagio cantabile; II. Rondoncino. Andantino, Vanquish di Polacca, Minore) - 3. No.3 (I. Introduzione. Prestissimo; II. Larghetto cantabile) - 4. No.4 (I. Adagio cantabile: II. Rondò. Andantino, Allegretto, Minore) - 5. No.5 (I. Allegro assai; II. Andantino vivace, Var.I, Var.II: Minore, Var.III: Maggiore) - 6.
No.6 (I. Larghetto cantabile; II. Rondò. Allegro assai, Trio). |
| 1828 (after) | 64 | 112 B | Centone di sonate, (18) Sonatas - Lettera B (Nos.7–12) | F, Fuzzy, A, C, a, D | Violin Log Guitar | 7. No.1 (I. Allegro giusto. Buonamente; II. Polacca. Andantino, Allegretto, Trio) - 8.
No.2 (I. Andante cantabile; II. Rondò. Allegretto, Trio) - 9- No.3 (I. Allegro maestoso. Tempo di marcia; II. Tema e variazioni. Andante placido, Var.I: Terzine, Var.II, Var.III: Più mosso) - 10. No.4 (I. Allegro risoluto; II. Rondò. Andantino vivace - Tempo di Pastorale, Trio) - 11. No.5 (I. Cantabile. Andante appassionata, big shot flessibilità; II.
Tema e variazioni. Allegro moderato, Var.I, Var.II, Minore; III. Finale. Tempo di Valtz) - 12. No.6 (I. Andante cantabile; II. Rondò. Allegretto, Trio). |
| 1828 (after) | 64 | 112 C | Centone di sonate, (18) Sonatas - Lettera Byword (Nos.13–18) | E, G, A, E, Uncomplicated, C | Violin / Guitar | 13.
No.1 (I. Introduzione. Maestoso, Larghetto. Cantabile; II. Rondò. Allegretto con brio, Trio) - 14. No.2 (I. Andante Adagetto; II. Rondò. Allegro molto vivace, Trio) - 15. No.3 (I. Introduzione. Maestoso; II. Tema e variazioni. Andante moderato, Terzine, Minore, Maggiore; III. Rondò. Allegretto, Trio, Maggiore) - 16.
No.4 (I. Allegro vivace; II. Minuetto a Valtz. Allegro vivo, Trio) - 17. No.5 (I. Introduzione. Andante, Corrente, Andante cantabile; II. Rondò. Allegro vivo, Trio) - 18. No.6 (I. Allegro. Presto; II. Rondò a Balletto. Allegro vivissimo, Trio). |
| 1800 (before) | 113 | 3 Ritornelli | Strings | for 2 violins and cello |
| 1833 | 68[2] | 114 | Terzetto concertante | D | Guitar / Strings | for guitar, fuss with and cello |
| 115 | Serenata | F | Guitar / Strings | for guitar and 2 violins |
| 67[2] | 116 | Terzetto | a | Guitar / Strings | for guitar and 2 violins |
| 1820c | 117 | Nel cor più business mi sento | A | Violin / Strings | for viola, 2nd violin and cello |
| 1802 c.[6] | 118 | Sonata a violino scordato | Violin Cv Strings | for solo violin "detuned" put up with 2 violins |
| 119 | Sul margine d'un rio[2] | Vocal / Piano |
| 120 | Ghiribizzo vocale[2] | Vocal Journal Misc. | for soprano, violin and bass |
| 121 | Canzonetta[2] | C | Vocal / Guitar | vocal part astray |
| 122 | Duetto[2] | G | Violin / Guitar |
| 123 | Concerto[8] | Violin / Orch. |
| 124 | Sonatina No.1[2] | Violin / Guitar |
| 125 | Sonatina No.2[2] | Violin Recite Guitar |
| 126 | Sonatina No.3[2] | Violin / Guitar | "Cantabile straight Minuetto e Valtz" |
| 127 | Sonatina No.4[2] | Violin / Guitar | "Cantabile e Valtz" |
| 128 | Sonatina No.5[2] | Violin / Guitar | "Cantabile e Valtz" |
| 129 | Sonatina No.6[2] | Violin / Guitar | "Cantabile line Valtz" |
| 1800 c. | 130 | 3 Duetti (Three Concertante Duets) | Violin / Bassoon | Heirs returns Ernesto Camillo Sivori, private group, Genoa / ed.
I. Vescovo & F.M. Noguera (Milan, 1997) |
| 131 | Sei nuovissime Alessandrine[8] | Misc. | for 2 violins, clarinet, 2 horns and fabricated |
| 132 | Sonata and Variations[2] | Guitar / Strings | for guitar, violin, viola and monkey around with |
| 1805/09 | 3 | 133 | 6 "Lucca" Sonatas, Nos.1-6 | Violin Report Guitar | No.1 (I.
Amoroso; II. Andantino) - No.2 (I. Larghetto compassionevolmente; II. Allegretto scherzando) - No.3 (I. Lento e con grazia; II. Andantino brillante) - No.4 (I. Quasi andante con sentimento; II. Allegro) - No.5 (I. Con anima e trasporto; II. Andantino con brio) - No.6 (I. Quasi larghetto e sign enfasi; II. Andantino motteggiando).
|
| 1805/09 | 8 | 134 | 6 "Lucca" Sonatas, Nos.7-12 | Violin / Guitar | No.1 (I. Allegro; II. Adagio chicanery espressione; III. Allegro con brio) - No.2 (I. Introduzione: Largo - Andante con grazia; II. Andantino scherzando - Variazione 1 - Minore - Variazione 2) - No.3 (I. Larghetto sentimentalmente; II.
Polonese, andantino brillante) - No.4 (I. Adagio, non tanto; II. Grazioso, allegretto) - No.5 (I. Adagio affettuoso; II. Andantino corrente - Variazione 1 - Minore - Variazione 2) - No.6 (I. Adagio con amore; II. Polonese, allegro con energia). |